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The Zombies, The Zombies

The Zombies

November 30th, -0001

Formed:
1962 in St. Albans, Hertfordshire, Englan

Genre:
Rock

Years Active:
'60s, '90s, '00s, '10s






The Zombies

Biography

Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for their era. Indeed, their material — penned by either Argent or guitarist Chris White, with unexpected shifts from major to minor keys — was perhaps too adventurous for the singles market. To this day, they're known primarily for their three big hit singles, "She's Not There" (1964), "Tell Her No" (1965), and "Time of the Season" (1969). Most listeners remain unaware that the group maintained a remarkably high quality of work for several years.. Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for their era. Indeed, their material — penned by either Argent or guitarist Chris White, with unexpected shifts from major to minor keys — was perhaps too adventurous for the singles market. To this day, they're known primarily for their three big hit singles, "She's Not There" (1964), "Tell Her No" (1965), and "Time of the Season" (1969). Most listeners remain unaware that the group maintained a remarkably high quality of work for several years.

The Zombies formed in the London suburb of St. Albans in the early '60s, and didn't actually entertain serious professional ambitions until they won a local contest, the prize being an opportunity to record a demo for consideration at major labels. Argent's composition "She's Not There" got them a deal with Decca, and the song ended up being their debut release. It was a remarkably confident and original first-time effort, with a great minor melody and the organ, harmonies, and urgent, almost neurotic vocals that would typify much of their work. It did well enough in Britain (making the Top 20), but did even better in the States, where it went to number two.

In fact, throughout their career, the group would experience a lot more success across the waters than they did at home. In early 1965, another piece of classic British Invasion pop, "Tell Her No," went into the Top Ten. Yet that was as much Top 40 success as the group would have for several years. The tragedy was that throughout 1965 and 1966, the Zombies released a string of equally fine, intricately arranged singles that flopped commercially, at a time in which chart success of 45s was a lot more important to sustain a band's livelihood than it would be a few years down the road. "Remember When I Loved Her," "I Want You Back Again," "Indication," "She's Coming Home," "Whenever You're Ready," "Gotta Get a Hold of Myself," "I Must Move," "Remember You," "Just Out of Reach," "How We Were Before" — all are lost classics, some relegated to B-sides that went virtually unheard, all showing the group eager to try new ideas and expand their approaches. What's worse, the lack of a big single denied the group opportunities to record albums — only one LP, rushed out to capitalize on the success of "She's Not There," would appear before 1968.

Their failure to achieve more widespread success is a bit mystifying, perhaps explained by a few factors. While undeniably pop-based, their original compositions and arrangements were in some senses too adventurous for the radio. "Indication," for instance, winds down with a lengthy, torturous swirl of bitter organ solos and wordless, windblown vocals; "Remember When I Loved Her," despite its beautiful melody, has downbeat lyrics that are almost morbid; "I Want You Back Again" is arranged like a jazz waltz, with the sorts of sudden stops, tempo shifts, and lengthy minor organ solos found in a lot of their tunes. The Zombies were also, perhaps unfairly, saddled with a somewhat square image; much was made of their formidable scholastic record, and they most definitely did not align themselves with the R&B-based school of British bands, preferring more subtle and tuneful territory.

By 1967, the group hadn't had a hit for quite some time, and reckoned it was time to pack it in. Their Decca contract expired early in the year, and the Zombies signed with CBS for one last album, knowing before the sessions that it was to be their last. A limited budget precluded the use of many session musicians, which actually worked to the band's advantage, as they became among the first to utilize the then-novel Mellotron to emulate strings and horns.

Odessey and Oracle was their only cohesive full-length platter (the first album was largely pasted together from singles and covers). A near-masterpiece of pop/psychedelia, it showed the group reaching new levels of sophistication in composition and performance, finally branching out beyond strictly romantic themes into more varied lyrical territory. The album passed virtually unnoticed in Britain, and was only released in the States after some lobbying from Al Kooper. By that time it was 1968, and the group had split for good.

The Zombies had been defunct for some time when one of the tracks from Odessey, "Time of the Season," was released as a single, almost as an afterthought. It took off in early 1969 to become their biggest hit, but the members resisted temptations to re-form, leading to a couple of bizarre tours in the late '60s by bogus "Zombies" with no relation to the original group. By this time, Rod Argent was already recording as the leader of Argent, which went in a harder rock direction than the Zombies. After a spell as an insurance clerk, Colin Blunstone had some success (more in Britain than America) in the early '70s as a solo vocalist, with material that often amounted to soft rock variations on the Zombies sound.

Much more influential than their commercial success would indicate, echoes of the Zombies' innovations can be heard in the Doors, the Byrds, the Left Banke, the Kinks, and many others. After a long period during which most of their work was out of print, virtually all of their recordings have been restored to availability on CD. Blunstone and Argent reunited for an album, Out of the Shadows, and toured together in 2003 as Blunstone & Argent, playing live shows into 2004 when they began gigging again as the Zombies, with an album and DVD set, Live at the Bloomsbury Theatre, appearing under that name in 2005. To honor the 40th anniversary of Odessey and Oracle, the four surviving original members of the group reunited for a series of three concerts at London's Shepherd's Bush Empire Theatre in March of 2008, with a CD and DVD set of the shows hitting the market later that summer. A new studio album, Breathe Out, Breathe In, attributed to the Zombies featuring Colin Blunstone & Rod Argent, appeared in 2011. ~ Richie Unterberger & Steve Leggett, Rovi

Top Albums

The Zombies, The Zombies
1. The Zombies
Odessey and Oracle, The Zombies
2. Odessey and ..
The Original Studio Recordings, Vol. 1, The Zombies
3. The Original..
I Love You, The Zombies
4. I Love You
She's Not There / Time Of The Season, The Zombies
5. She's Not Th..
The Zombies - The Original Studio Recordings, Vol. 2, The Zombies
6. The Zombies ..
Odessey & Oracle - 40th Anniversary Concert (Live), The Zombies
7. Odessey &..
The Zombies - The Original Studio Recordings, Vol. 3, The Zombies
8. The Zombies ..
Breathe Out, Breathe In (feat. Colin Blunstone & Rod Argent), The Zombies
9. Breathe Out,..
Begin Here, The Zombies
10. Begin Here
The Zombies - The Original Studio Recordings, Vol. 4, The Zombies
11. The Zombies ..
The Ep Collection, The Zombies
12. The Ep Colle..
The Zombies - The Original Studio Recordings, Vol. 5, The Zombies
13. The Zombies ..
Live In the UK, The Zombies
14. Live In the ..
Odessey & Oracle - 40th Anniversary Concert (Live), The Zombies
15. Odessey &..
New World, The Zombies
16. New World
Breathe Out, Breathe In (feat. Colin Blunstone & Rod Argent), The Zombies
17. Breathe Out,..
The Way I Feel Inside (feat. The Zombies) - EP, Vile Evils
18. The Way I Fe..
As Far As I Can See..., The Zombies
19. As Far As I ..
New World, The Zombies
20. New World

Top Songs

NameAlbumTimePrice
1.
Time of the SeasonOdessey and Oracle3:34$0.99
2.
She's Not ThereOriginal Studio Recordings,..2:24$0.99
3.
Tell Her NoOriginal Studio Recordings,..2:06$0.99
4.
Time of the SeasonOriginal Studio Recordings,..3:10$0.99
5.
This Will Be Our YearOdessey and Oracle2:07$0.99
6.
She's Not There (Stereo Mix)I Love You2:25$0.99
7.
SummertimeOriginal Studio Recordings,..2:16$0.99
8.
Time of the SeasonTime of the Season - Single3:10$0.99
9.
She's Not ThereShe's Not There - Singl..3:52$0.99
10.
Way I Feel InsideOriginal Studio Recordings,..1:51$0.99
11.
She's Not ThereBegin Here2:25$1.29
12.
Care of Cell 44Odessey and Oracle3:55$0.99
13.
Tell Her NoEp Collection2:07$0.99
14.
Time of the SeasonLive In the UK4:44$0.99
15.
Hung Up On a DreamOdessey and Oracle3:01$0.99
16.
Beechwood ParkOdessey and Oracle2:43$0.99
17.
I Love YouZombies - The Original Stud..3:10$0.99
18.
Goin' Out of My HeadZombies3:04$1.29
19.
She's Not ThereZombies2:25$1.29
20.
Gotta Get a Hold of MyselfZombies2:29$1.29
21.
WomanZombies2:24$1.29
22.
Whenever You're ReadyZombies2:42$1.29
23.
Is This the DreamZombies2:42$1.29
24.
How We Were BeforeZombies2:05$1.29
25.
Way I Feel InsideZombies1:51$1.29

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